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Planar Reflection

Mirror the real scene onto a surface — wet stone after rain, polished marble in a palace hall, asphalt that has not dried yet. You see the walls, the pillars and the character standing there reflected properly, not the vague coloured blur a Reflection Probe gives you.

It works by placing a second camera mirrored across the plane and drawing the scene again from there. The result matches the real scene every frame: something moves, its reflection moves with it.

Because it draws the scene a second time, the cost is the whole point of the design — so the package ships a renderer tuned for exactly that pass, which is what keeps this feature usable at all.

Showcase Planar Reflection

Reflection Comes in Two Tiers

Reflection in the Env Shader is two layers stacked on each other :

Tier Source State
Reflection Probe probes baked into the scene always on, cannot be disabled
Real-time Reflection Planar Reflection or Screen Space Reflection, one per material toggled from the Features grid, method picked in Reflection Type

The Probe tier works for free with nothing to configure. The real-time tier layers on top of it when you want a reflection that is sharp and true to the scene.

If a surface does not need mirror-grade sharpness, the Reflection Probe alone is usually enough — and it costs nothing extra.

Planar or Screen Space?

Up to v1.0.0, Planar Reflection was the only real-time method. From v1.1.0 there is a second one, Screen Space Reflection, and it is now the default when you turn Reflection on.

  Planar Reflection Screen Space Reflection
Surfaces Flat floors on one plane Any — raised platforms, slopes, vertical walls
Off-screen objects Reflects them Cannot reflect them — falls back to the probe
Cost A second render of the scene One pass over the reflective pixels
Mirror Distortion Yes —

Choose Planar for large, flat, glossy floors where a reflection vanishing at the screen edge would be noticed. For everything else, Screen Space is simpler and cheaper. See Choosing a Reflection Type for the full comparison.

Setup

Planar Reflection needs both halves. Miss either one and no reflection appears at all.

  1. On the material — turn on the Reflection feature in the Features grid at the top of the Inspector, then set Reflection Type to Planar Reflection (Reflection starts on Screen Space)
  2. On the URP Renderer — the Renderer Feature ZLZ Env Planar Reflection has to be in the list

Once the material side is on, the Reflection section appears in the Inspector with every value described below. Switching a material to Planar also registers the floors under the Dashboard that use it as reflection planes — there is nothing to add by hand.

Parameters — Material

Material_Reflection

Surface Reflection

  • Intensity (default 1) — how strongly the reflection blends onto the surface. Higher = the mirror image reads clearly, lower = it sinks back into the surface’s own colour
  • Smoothness (default 0.5) — how polished the surface is. High = glass-flat, a crisp mirror. Low = matte, the reflection scatters and softens

Driven By

Chooses where on the surface the reflection appears.

  • Smoothness — reads the Smoothness channel of the Feature Mask, so only the areas you painted reflect. This is the one for patchy wet ground, like puddles across a road
  • Whole Surface — the entire surface reflects evenly, no mask needed

Smoothness mode needs a Feature Mask assigned in the Mask Layout section first. If you have not packed one yet, use Whole Surface for now.

  • Fresnel Power (default 0.86) — how much stronger the reflection gets at grazing angles. Wet ground seen from low down really does reflect harder than seen from straight above; this sets how steep that falloff is

Mirror Distortion

This group makes the reflection ripple instead of sitting there as a dead-flat mirror — it is what sells the idea that a thin film of water is actually lying on the surface.

  • Distortion (default 0.195) — strength of the warp. 0 = a perfectly flat mirror; higher = the reflection wobbles more
  • Distortion Scale (default 0.7) — size of the ripple pattern. Low = broad rolling waves, high = tight small ripples
  • Distortion Speed (default 2) — how fast the ripples travel. Set 0 to freeze them in place
  • Distortion Falloff (m) (default 5) — the distance in metres over which the warp fades out. Ripples stay visible near the camera and settle down further away, which keeps distant reflections from breaking up into flickering noise

Debug Mode

A dropdown for inspecting the reflection in isolation while tuning. Set it back to Default before shipping.

  • Default — the normal, final result
  • Probe Only — the Reflection Probe tier by itself, without the mirror image
  • Planar RGB Raw — the mirror camera’s image as it arrives, before blending. Shows black when the mirror camera is not publishing anything, so a missing or switched-off Renderer Feature is easy to spot
  • Fresnel Mask — how much reflection each pixel is allowed, from the Fresnel angle and Smoothness together

The options change with Reflection Type — Screen Space has its own set, described on the Screen Space Reflection page.

Parameters — Renderer Feature

RenderFeature_Planar_Reflection

This section lives on the URP Renderer, not on a material — so what you set here applies to every material using Planar Reflection in the scene at once.

Settings

  • Should Render Planar — the master switch for the whole system. Turn it off and the mirror camera never draws, which makes it an instant before / after comparison, or a way to park the cost while profiling
  • Culling Mask (default Everything) — which Layers are allowed to appear in the reflection. This is where the biggest savings are : drop the effects, the dust, the small props nobody can pick out in a reflection anyway, and the second pass immediately has less to draw
  • Renderer Index (recommended URP_Reflection) — which Renderer in the URP Asset the mirror camera draws with. Point it at URP_Reflection, which ships with the package and is tuned for this job specifically, light enough to run on Mobile. A ✔ recommended badge appears once you have picked the right one

Performance Settings

Everything in this group exists to cut the cost of that second pass. The defaults are already set on the frugal side.

  • Render Scale (default 1) — resolution of the reflection. 1 = full resolution; dropping it softens the mirror image but speeds things up noticeably. This is the first value to try when you need frames back
  • Render Shadows (default off) — whether shadows are drawn into the reflection. Normally off, because shadows in a reflection are barely noticeable and expensive
  • Include Skybox (default off) — whether the reflection carries the sky. Turn it on when the surface faces open sky directly, like an outdoor plaza floor
  • Include Fog (default off) — whether scene fog affects the reflection. Turn it on when the scene’s fog is heavy enough that an unfogged reflection looks detached from it
  • Render Range (default 500) — how far the mirror camera can see. Anything beyond this is left out of the reflection, so trimming it to fit your scene cuts real work
  • Maximum LOD Level (default 0) — forces objects in the reflection onto coarser LODs, so the second pass draws lighter versions of your models

Suggested order when you need frames back : trim the Culling Mask first → lower Render Range → lower Render Scale → then reach for Maximum LOD Level. The first three cut work with almost no effect on what the player actually sees.

Safety

  • Disable In VR (default on) — switches Planar Reflection off automatically under VR, because redrawing the scene in stereo costs twice over. Leave this on

Limits

  • The Renderer Feature is never optional — turning the feature on in the material is not enough. Without ZLZ Env Planar Reflection on the URP Renderer, no reflection appears
  • The mirror camera renders against a fixed plane — Planar Reflection suits surfaces that are flat. Something curved, raised or vertical will reflect in ways that do not match reality; switch it to Screen Space Reflection instead
  • It costs one more pass over the scene — drawing the scene twice is the reason Planar Reflection is usually written off as impractical. ZLZ Env Shader ships a purpose-built renderer for it that brings the second pass down to 2–5%, which is what makes it viable on Mobile
  • VR is off by default, via the Disable In VR switch
  • Cameras rendering to a Render Texture are skipped, as are preview cameras and reflection probes — the mirror camera never stacks on top of those